Full Catalog

Sano di Pietro's fifteenth-century panel joins Marian devotion with the Crucifixion in a slender gold-ground image for contemplation.

Spinello Aretino's 1405 Virgin and Child with Angels frames Marian devotion within a radiant Gothic altarpiece form.

Pintoricchio's c. 1490-1500 Virgin and Child sets a quiet Marian devotion against a clear Umbrian landscape.

Stefan Lochner's c. 1450 Virgin Crowned by Angels presents Mary and Christ in luminous color, delicate pattern, and the devotional refinement of Cologne painting.

Ugolino di Nerio's c. 1320 gold-ground panel gathers the Virgin and Child among saints in the solemn devotional language of early Sienese painting.

Neri di Bicci's Virgin and Child with Angels surrounds the infant Christ with Florentine tenderness and gold-ground radiance.

Albrecht Dürer's Annunciation sets Gabriel's greeting within a carefully ordered woodcut interior.

Martin Schongauer's Nativity brings the Life of the Virgin into a finely cut late medieval engraving.

Jaume Ferrer the Younger's Nativity sets the birth of Christ inside a richly ornamented Catalan late Gothic panel.

Parmigianino's quick, searching drawing joins the Nativity with Joseph's dream in a compact devotional study.

G. K. Chesterton’s Orthodoxy is a spirited defense of Christian belief, written with wit, paradox, and philosophical force.

A Catechized edition of John Henry Newman’s classic work on faith, reason, certainty, and the act of belief. In A Grammar of Assent, Newman explores how the mind moves from inference to real assent, defending the rationality of religious belief with philosophical depth and pastoral seriousness.

Virgin and Child with Saints and Donors by Giovanni Battista Cima da Conegliano, c. 1515, sourced from the Cleveland Museum of Art Open Access collection.

Virgin and Child in a Landscape by Jan Gossaert, 1531, sourced from the Cleveland Museum of Art Open Access collection.

The Virgin and Child Appearing to Saint Francis of Assisi by Luca Giordano, 1680s, sourced from the Cleveland Museum of Art Open Access collection.

Madonna of Humility by Caterino Veneziano, late 1370s, sourced from the Cleveland Museum of Art Open Access collection.

Madonna and Child by Francesco Botticini, c. 1475–80, sourced from the Cleveland Museum of Art Open Access collection.

The whole mystery of the faith, from the Trinity to the resurrection, set forth by the brother of Basil the Great.

A tender tondo of the Virgin and Child with the young Saint John the Baptist by Sandro Botticelli and workshop.

Matteo di Giovanni's fifteenth-century Crucifixion, a Sienese panel rich in color, gold, and devotional pathos.

A richly ornamented Catalan Annunciation panel by Jaume Ferrer the Younger, painted around 1457.

A thirteenth-century Luccan triptych of the Virgin and Child with saints by Berlinghiero.

A gold-ground Tuscan panel of the Virgin and Child enthroned, painted in 1419 by Battista di Biagio Sanguigni.

A faithful art print of The Supper at Emmaus by Giovanni Battista Piazzetta, sourced from the Cleveland Museum of Art open-access collection.

A faithful art print of Rest on the Flight into Egypt by Claude Lorrain, sourced from the Cleveland Museum of Art open-access collection.

A faithful art print of The Flight into Egypt by Albrecht Dürer, sourced from the Cleveland Museum of Art open-access collection.

A faithful art print of The Crucifixion by Andrea da Firenze, sourced from the Cleveland Museum of Art open-access collection.

A faithful art print of Madonna and Child by Lippo Memmi, sourced from the Cleveland Museum of Art open-access collection.

Jean de Beaumetz’s Calvary presents Christ crucified with the Virgin, Saint John, and a Carthusian monk in prayer.

Albert Bouts’s Annunciation places Gabriel and the Virgin within a bright Netherlandish interior filled with precise architectural detail.

Nicolas Poussin’s early Holy Family scene shows the Virgin and Child returning toward Nazareth beneath a sky of angels.

Hans Leonhard Schäufelein’s Nativity gathers shepherds around the newborn Christ in a stable opening onto a distant landscape.

A luminous early-15th-century Adoration scene by Konrad Laib, with the Magi gathered before the Virgin and Child in a richly detailed architectural setting.

The supernatural life of charity, sacrifice, and union with Christ crucified.

Garrigou-Lagrange's complete two-volume study of charity, the Cross, and the soul's ascent to union with God.

The purifications of the spiritual life and the soul's passage toward transforming union.

Nicolas Poussin's The Holy Family on the Steps, 1648, from the Cleveland Museum of Art open-access collection.

Bernardo Cavallino's Adoration of the Shepherds, c. 1650, from the Cleveland Museum of Art open-access collection.

Leandro Bassano's The Dead Christ with Angels, c. 1580, from the Cleveland Museum of Art open-access collection.

Giovanni Girolamo Savoldo's Christ with Joseph of Arimathea, c. 1525, from the Cleveland Museum of Art open-access collection.

Francesco Solimena's The Risen Christ Appearing to the Virgin, c. 1708, from the Cleveland Museum of Art open-access collection.

The Golden Chain: St. Thomas Aquinas' commentary on the Four Gospels, woven from the Church Fathers.

Lucas Cranach’s Baptism of Christ sets the Jordan scene in a northern landscape with God the Father, the Spirit, and the Son revealed together.

Titian’s Adoration of the Magi places the newborn Christ within a broad Venetian scene of pilgrimage, color, and reverence.

Caravaggio’s late martyrdom scene fixes Saint Andrew’s crucifixion in stark light, bodily strain, and urgent human witness.

Fra Angelico’s Coronation of the Virgin sets Mary before Christ in a small, radiant early Renaissance panel made for devotion.

El Greco’s intimate Holy Family gathers Mary, Christ, Joseph, and Mary Magdalen in a devotional scene of tenderness and storm-lit intensity.

Jacopo Tintoretto's Baptism of Christ, 1580s, reproduced from the Cleveland Museum of Art's CC0 Open Access image for Catechized fine art prints.

Francisco de Zurbarán's Christ and the Virgin in the House at Nazareth, c. 1640, reproduced from the Cleveland Museum of Art's CC0 Open Access image for Catechized fine art prints.

El Greco's Christ on the Cross, c. 1600–1610, reproduced from the Cleveland Museum of Art's CC0 Open Access image for Catechized fine art prints.

Angelos Akotantos's Icon of the Mother of God and Infant Christ (Virgin Eleousa), c. 1425–50, reproduced from the Cleveland Museum of Art's CC0 Open Access image for Catechized fine art prints.

Johann König's The Resurrection of Christ, 1622, reproduced from the Cleveland Museum of Art's CC0 Open Access image for Catechized fine art prints.

St. Francis Kneeling before Christ on the Cross by Sassetta, 1437–1444, sourced from the Cleveland Museum of Art Open Access collection.

The Adoration of the Magi by Giovanni di Paolo, 1440–45, sourced from the Cleveland Museum of Art Open Access collection.

The Nativity by Gerard David, c. 1485–90, sourced from the Cleveland Museum of Art Open Access collection.

Virgin and Child by Hans Memling, c. 1470–80, sourced from the Cleveland Museum of Art Open Access collection.

The Crucifixion with a Carthusian Monk by Rogier van der Weyden, 1460, sourced from the Cleveland Museum of Art Open Access collection.

The Annunciation by Paolo Veronese, c. 1580, sourced from the Cleveland Museum of Art Open Access collection.

Fra Angelico's luminous fresco of Christ transfigured on Mount Tabor, painted c. 1440–1442 for a friar's cell at the Convent of San Marco, Florence.

A classic defense of the living continuity of Christian doctrine.

A profound study of God's wise and loving governance of creation.

The central lines of Thomistic wisdom gathered into a single, disciplined presentation.

Through the Holy Spirit comes our restoration to paradise, our ascension into the kingdom of heaven, our return to the adoption of sons.

No sooner do I conceive of the One than I am illumined by the splendor of the Three.

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Read-along audiobook edition

Each month, receive a beautifully printed primary source from the Church Fathers — together with a work of sacred art from the Christian tradition — delivered to your door.

Ancient Greek digital edition from Catechized

Read-along audiobook edition

Complete digital read-along library of Saint Ignatius of Antioch

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

Ancient Greek digital edition from Catechized

For He was made man that we might be made God.

“The episcopate is one, each part of which is held by each one for the whole.”

“The Catholic Church possesses one and the same faith throughout the whole world.”

“Whatever things were rightly said among all men are the property of us Christians.”

"I am the wheat of God, and let me be ground by the teeth of the wild beasts, that I may be found the pure bread of Christ."